alexa trying..

My response to Telex, who are still very angry that Viktor Orbán and Péter Szijjártó brought two Hungarian prisoners of war home. It is sad that even in the most basic situations there isn’t enough goodwill in some people to simply rejoice together that the lives of our fellow Hungarians were saved.

Don’t you think it is in poor taste that these returned prisoners of war are then paraded in the Fidesz campaign?

I find it very unfortunate that even in matters like this we cannot reach some minimal common ground. Without meaning to offend you, I believe that the fact we were able to bring these people home from what was practically the jaws of death is, first of all, an incredible achievement and something truly remarkable.

And secondly, when we invite these people — and we did invite them — and the gentleman who attended the Digital Civic Circle gathering came willingly and gladly, it is obvious that he is grateful to Hungary. He expressed this gratitude with his presence as well, and naturally he is grateful to the current Hungarian government. He was there at the Digital Civic Circle event.

Péter Szijjártó and Viktor Orbán clearly played a role in this, as it was their work that allowed Hungary to maintain a peace-oriented position over the past years. Without that stance, I am convinced we would not have been able to bring these two men home.

I was very happy that we could celebrate together with them and share the joy that they are here. And, sorry to say, I do not consider this a propaganda tool at all. Celebrating together that, through a peace-oriented policy, we were able to bring someone back to Hungary from the jaws of death is a fantastic shared success.

And by the way, I have not really seen these gentlemen appearing much in public in recent days or weeks, and if that is how they prefer it, then I think that is perfectly fine.

1️⃣ Building a Moral Position

(moral framing / moral high ground)

Excerpt

“It is sad that even in the most basic situations some people cannot find it in themselves to rejoice together over the saving of our fellow citizens’ lives.”

Technique

The response places the debate in a moral framework.
The discussion is no longer about whether something is propaganda or not, but about:

➡️ whether we are capable of rejoicing over the rescue of Hungarian citizens.

Goal

  • to make the question appear morally problematic
  • to portray the journalist’s criticism as insensitive

Effect

The audience may feel that:

  • those who criticize → are not happy about the rescued people.

2️⃣ Reframing the Question

(reframing)

Telex question

“Isn’t it distasteful that the returned prisoners of war are then showcased in the Fidesz campaign?”

Alexandra’s response

“This is a fantastic achievement and a fantastic thing.”

Technique

The response does not address the campaign usage, but instead focuses on:

➡️ the success of the rescue.

This is classic reframing.

Goal

to change the subject of the debate:

propaganda issue →

successful diplomacy


3️⃣ Emotional Delegitimization of the Criticism

(emotional delegitimization)

Excerpt

“It is sad that we cannot even find some minimal common ground on issues like this.”

Technique

Instead of refuting the criticism substantively, it is presented as:

➡️ a negative attitude.

Goal

to emotionally discredit the journalist’s position.


4️⃣ The Gratitude Narrative

(gratitude framing)

Excerpt

“He is obviously grateful to Hungary.”

Technique

The story is framed through gratitude.

This is a strong emotional communication tool:

  • a rescued person
  • grateful to his country

Goal

to build positive legitimacy.

Effect

The audience can more easily identify with the situation:

➡️ “something good happened.”


5️⃣ The Narrative of Political Credit

(credit claiming)

Excerpt

“Orbán Viktor and Péter Szijjártó clearly had a role in this.”

Technique

The success is linked to specific political actors.

Goal

to present the diplomatic outcome as:

➡️ a governmental achievement.


6️⃣ The “Pro-Peace Policy” Narrative

(policy justification framing)

Excerpt

“Without maintaining a pro-peace position in recent years, I am sure we would not have been able to bring these two people home.”

Technique

The event is placed into a broader political narrative:

➡️ pro-peace policy = saving lives.

Goal

to justify the government’s policy toward the war in Ukraine.


7️⃣ Rejecting the Propaganda Accusation

(denial framing)

Excerpt

“I absolutely do not consider this a propaganda tool.”

Technique

A simple categorical denial.

No detailed argumentation is provided.

Goal

to close the debate.


What Is Really Interesting in This Exchange

In reality, two different narratives collide.

Telex’s narrative

➡️ political campaign usage

Alexandra’s narrative

➡️ saving Hungarian lives

This is a typical communication conflict:

Telex framingAlexandra framing
campaignsaving lives
propagandadiplomatic success
political exploitationshared national celebration

Rhetorical Evaluation

From a communication perspective, Alexandra’s response has:

Strong elements

  • emotional framing
  • positive narrative
  • moral positioning

Weak elements

  • partially avoids answering the question
  • repetition
  • few concrete details

Summary

Alexandra’s response is a classic example of political crisis communication:

  1. establishing a moral framework
  2. reframing the debate
  3. telling a positive story
  4. emphasizing political credit

The real conflict in the exchange is not about the factual claims, but about the fact that the two sides are speaking about the same event within completely different frames.

Szentkirályi Alexandra, Fidesz, Orbán and Németh Balázs are all lying. They just don’t even know anymore who lied about what. But their followers don’t care anyway.

If the Tisza numbers are valid, then it must have been around 600,000 people, because the street from Deák Square to Heroes’ Square was completely full — and it was closed to traffic, meaning the entire width of the road was packed.

BREAKING: the numbers battle has been decided quickly ❗️
According to official mobile network data, 180,000 people attended the Peace March — 30,000 more than at the Tisza Party’s pro-war march! 💪🏻💪🏻🇭🇺🇭🇺

Alexa and Balázska are not math geniuses.

Well, now they’re already being careful to make sure no one gets the impression that the Tisza march was at least twice as big. 😀

Péter Magyar stands with Ukraine — we stand with Hungary forever! 🇭🇺
Which side are you on? Vote! 😉

The biggest Peace March ever! We have never been this many! Now it’s time for everyone to see it! Comment, like, and share posts related to the Peace March. Our country needs us — online as well! 😎🇭🇺♥️

The Peace March has just ended. I really think this was the biggest one ever. Everyone is very cheerful and ready to fight. I believe an amazing 28 days lie ahead of us if everyone works hard through the remaining period. They need you, and the country needs you too — so let’s go!



balazska try try but no…

**So we won this one, even though Budapest isn’t really our home turf! 🇭🇺🇭🇺🇭🇺👍🧡
According to the official figures:
Kossuth Square: 180,000
Heroes’ Square: 150,000

And in April, we will win again too! 😁🙂**

balazska

Let’s send a message to Zelensky!

The North Pest Hardliners also prepared a special action today for the Peace March. Here at Jászai Mari Square, you can send a message to Zelensky on these cards, and the Red Mailbox is here as well.

Come on, Balázs! The Red Mailbox is right there. So if anyone is still watching this from the other side of the bridge and is heading here with the Peace March, look for us at Jászai Mari Square and let’s send a message to Zelensky together.

My message is this: he cannot threaten us and he cannot blackmail us.

It’s going to be good!

balazska

The haters showed up too 🤡🤡

I was down on Margaret Island. A Tisza supporter dad was riding downhill on a bike with his two small kids. They turned onto the exit of the island, and the father said to the children:

“Did you see what bad-looking people were marching here to the protest? Did you see what bad-looking people? This afternoon on Andrássy Avenue there will be the good-looking ones, the nice people.”

So I’d like to send a message to that Tisza-supporter dad and to all the other members of the community of hatred:

This is not a protest — it’s a Peace March. We stand for peace and for Hungary’s sovereignty. And the people marching here are not bad-looking, and they are not ugly people. They are good people — people who care about the future and the fate of their country.

balazska

Send your message to Zelensky at the Peace March too!! Look for the red mailbox at Jászai!

It’s going to be a great day, with a huge peace march, a good atmosphere and cheerfulness, but we will also send a firm message to Zelensky that we will not allow Hungary to be threatened or blackmailed. I will bring my red mailbox, and I will also have message cards with me.

At Jászai Mari Square, during the Peace March — at the Pest side of Margaret Bridge, at Jászai Mari Square — the red mailbox will be there. I ask as many people as possible to write down what message they would send to Zelensky.

For my part, I would already like to say this in advance: we will not allow ourselves to be threatened or blackmailed. We want to decide Hungary’s future and fate ourselves. The majority of Hungarians must decide which direction Hungary should take: whether to continue on the Hungarian path, or turn toward the Berlin–Brussels–Kyiv path. I recommend the former.

1️⃣ Framing of Peace and Good Mood (positive framing)

Excerpt

“A good day is coming, with a huge peace march, good mood, and cheerfulness…”

Technique

The communication opens with a positive emotional frame.
The event is presented not as a political action but as a joyful, peaceful community gathering.

Key elements

  • “good day”
  • “peace march”
  • “good mood”
  • “cheerfulness”

Goal

➡️ to create a friendly and legitimate image
➡️ to introduce the political message in a “soft” way

Effect

The reader may develop the impression that:

  • this is a positive, harmless community event
  • therefore it is easier to identify with it.

2️⃣ Construction of an External Enemy

(external enemy framing)

Excerpt

“We will not allow Hungary to be threatened or blackmailed.”

Technique

The communication presents an external threat.

The enemy is portrayed as:

  • Zelensky
  • Ukraine

Goal

➡️ to create a sense of conflict
➡️ to strengthen the narrative of “defending the country”

Effect

The audience may more easily identify with the message because:

  • the conflict is framed against an external actor.

3️⃣ National Sovereignty Narrative

(sovereignty framing)

Excerpt

“We want to decide Hungary’s future and destiny ourselves.”

Technique

The political issue is framed as a matter of national self-determination.

Keywords

  • “we”
  • “Hungary’s future”
  • “our destiny”

Goal

➡️ to trigger emotional identification
➡️ to elevate the political debate into a national issue

Effect

The reader may feel that:

  • those who support this → stand on the national side
  • those who oppose it → stand against sovereignty.

4️⃣ Activation of Public Participation

(participatory mobilization)

Excerpt

“I ask as many people as possible to write what message they would send to Zelensky.”

Technique

The communication calls for active participation.

Tools

  • message cards
  • the “red mailbox”

This is a classic campaign mobilization device.

Goal

➡️ to involve people in a political action
➡️ to create a sense of community participation

Effect

People may feel that:

  • they are personally part of the political action.

5️⃣ Majority Narrative

(majority framing / bandwagon effect)

Excerpt

“The majority of Hungarians must say where Hungary should go.”

Technique

The communication suggests that:

➡️ the majority already supports this position.

Key element

  • “the majority of Hungarians”

Goal

➡️ to pressure undecided people
➡️ to encourage alignment with the majority

Effect

People tend to feel that:

  • “this is the majority opinion.”

6️⃣ Division into Two Camps (polarization)

(us vs them framing)

Excerpt

“The Hungarian path”
vs
“the Berlin–Brussels–Kyiv path”

Technique

The political choice is reduced to two opposing camps.

Structure

  • “Hungarian path” → positive framing
  • “Berlin–Brussels–Kyiv path” → negative framing

Goal

➡️ to simplify the political decision
➡️ to create an identity-based choice

Effect

Readers may develop a “us vs them” mindset.


7️⃣ Indicating the Recommended Direction

(endorsement framing)

Excerpt

“I recommend the former.”

Technique

The speaker ultimately indicates which choice is the correct one.

This is a form of soft persuasion.

Goal

➡️ to influence the audience’s decision.

Effect

The voter may feel that:

  • the “correct” choice has already been indicated.

Brief Summary

The communication follows a classic campaign rhetoric structure:

  1. framing a positive event (peace march)
  2. presenting an external threat
  3. emphasizing national sovereignty
  4. mobilizing community participation
  5. highlighting the majority will
  6. contrasting two political paths
  7. indicating the “correct” choice

This structure is highly effective for emotional mobilization and political identification.

balazska

We want to decide our own future, our own destiny! Go Hungary! Go North Pest!

All we want is the right to decide about our own lives and our own fate, and on this we will not compromise. Both in the East and in the West there are those who refuse to accept that we Hungarians are like this. They use every possible means to trample on Hungary’s sovereignty. Our task, however, is to defeat these forces and these people—whether it is a blackmailing president-comedian making life-threatening threats, a European Union leader completely detached from reality, or even a domestically acting clown bought from abroad—and to keep them away from power.

In the next four weeks, we have only one task: to follow the path set by the fighters of 1848. We must fight for Hungarian sovereignty and for the electoral victory of the national forces, because as long as Hungary has a national government, the protection of Hungarian interests will certainly come first.

Tomorrow: the Peace March.
In four weeks: a great victory.
In four years: a renewed, proud, and flourishing North Pest.

Thank you very much for listening.

1️⃣ National sovereignty narrative

(sovereignty framing / national identity framing)

Excerpt

“We want to decide about our own future, our own fate!”

Technique

The communication frames the political debate as a question of national self-determination.

Key elements

  • “we want to decide”
  • “our own future”
  • “our own fate”

Goal

➡️ to elevate the election into a question of national independence
➡️ to trigger emotional identification

Effect

The reader may feel that:

  • those who support the message → stand on the national side
  • those who oppose it → are working against sovereignty

2️⃣ Construction of an external enemy

(external enemy framing)

Excerpt

“There are those both in the East and in the West… who want to trample Hungary’s sovereignty into the ground.”

Technique

The communication identifies external forces as a threat.

Typical elements

  • “in the East and in the West”
  • “refuse to accept”
  • “trample sovereignty”

Goal

➡️ to create a common enemy
➡️ to strengthen internal unity

Effect

The audience may develop the perception that:

  • “external forces are attacking the country”
  • “we must close ranks”

3️⃣ Demonization of opponents

(demonization / delegitimization)

Excerpt

“a blackmailing, life-threatening president-comedian”
“an EU leader completely detached from reality”
“a domestically bought puppet financed from abroad”

Technique

Opponents are described using negative labels and mocking expressions.

This is a classic propaganda tool:

  • personal attacks
  • delegitimization

Goal

➡️ to undermine the legitimacy of the opponent
➡️ to strengthen emotional rejection

Effect

Readers judge opponents not based on programs or policies, but reject them on moral grounds.


4️⃣ “Us vs. them” framing

(ingroup–outgroup framing)

Excerpt

“we, Hungarians”
“these forces… must be defeated”

Technique

The communication divides the world into two opposing camps.

US

  • Hungarians
  • national forces

THEM

  • foreign forces
  • EU leaders
  • the “bought” opposition

Goal

➡️ identity-based political mobilization
➡️ sharp separation of political camps

Effect

The reader finds it easier to choose a side.


5️⃣ Historical reference

(historical symbolism framing)

Excerpt

“to follow the path set by the fighters of 1848”

Technique

The political campaign is linked to one of the most iconic struggles for freedom in Hungarian history.

This functions as a powerful emotional symbol.

Goal

➡️ to elevate the political struggle to historical significance
➡️ to provide symbolic legitimacy

Effect

The election is framed as a continuation of a freedom struggle.


6️⃣ Combat rhetoric

(mobilization framing)

Excerpt

“we must fight”
“we will defeat them”
“we will not give in”

Technique

Politics is presented as a battle or struggle.

Goal

➡️ mobilization
➡️ motivation of activists

Effect

The audience may feel:

  • urgency
  • a strong impulse to act

7️⃣ Projection of a victory narrative

(inevitability framing / victory narrative)

Excerpt

“In four weeks… a great victory.”

Technique

The communication portrays its own side as already winning.

Goal

➡️ to exploit the bandwagon effect
➡️ to influence undecided voters

Effect

The reader may feel:

  • “they will win anyway”
  • “it makes sense to belong to the winning side”

8️⃣ Mass mobilization

(collective action framing)

Excerpt

“Tomorrow: Peace March.”

Technique

The communication links the political message to a specific public event.

Goal

➡️ physical mobilization
➡️ demonstrating the strength of the crowd

Effect

The message encourages direct participation and action.


Summary

The text follows a classic campaign rhetoric structure:

  • emphasis on national sovereignty
  • construction of external enemies
  • demonization of opponents
  • “us vs. them” identity framing
  • use of historical symbolism
  • combat-style mobilization rhetoric
  • projection of a victory narrative
  • mass political mobilization

This rhetorical combination is very typical in election campaigns, because it simultaneously appeals to:

  • emotions
  • identity
  • group loyalty
  • willingness to act.

balazska

🇩🇪 Latest fuel prices from Germany❗️
2.5 euros – that is about 1,000 forints per liter for regular diesel and 95-octane petrol!

☝️ Meanwhile, Bild conducted a survey, and the results are quite telling.

They reveal a lot about how dissatisfied German voters—who are kept on a short leash by the liberal media—have already become with the clumsy performance of the Friedrich Merz–led grand coalition ❗️

📍 Do you think the German government is doing enough to reduce fuel prices?
👉 75% NO ❌

📍 Do you think taxes on fuel should be reduced in Germany?
👉 76% YES ✅

📍 Do you think oil companies’ excess profits should be taken away in a situation like this?
👉 68% YES ✅

🇩🇪 The German political elite is desperately clinging to power, even though it has long since failed.
Moreover, they are dragging not only Germany but all of Europe toward the brink…

☝️ The “achievements” of the past 10 years:

  • they let migrants in,
  • by banning nuclear energy and then Russian energy, they are destroying the economy,
  • with war plans they are taking away the future of the young,
  • and they are unable to handle the crises of this dangerous era.

❗️That is why we must continue along the Hungarian path, and not align ourselves with the Berlin–Brussels dictates, as the Tisza Party would do.

P.S.: 🇭🇺 I received the photo from a Hungarian man living in Germany who was on his way home yesterday to the Peace March. ✌️🇭🇺👍

1️⃣ Selective framing of reality (selective framing)

Excerpt
“Fresh fuel prices from Germany: €2.5 per liter.”

Technique
The communication highlights a single striking data point (high fuel price), but does not provide full context.

For example, the following factors are omitted:

  • global oil market dynamics
  • geopolitical conflicts
  • differences in tax structures
  • the European energy transition
  • exchange-rate effects

Goal

➡️ to attribute high prices to a single political cause.

Effect

The reader may develop the impression that:

“the German government is responsible for everything.”


2️⃣ External blame (scapegoating)

Excerpt
“German voters kept on a short leash by the liberal media.”

Technique

The communication constructs an enemy image:

  • “liberal media”
  • “Berlin elite”

This is a classic form of political scapegoating.

Goal

➡️ simplify complex economic processes
➡️ blame a political opponent

Effect

The reader may more easily accept a simplified explanation:

“everything is the elite’s fault.”


3️⃣ Appeal to public opinion (bandwagon framing)

Excerpt

“75% no”
“76% yes”
“68% yes”

Technique

The text suggests that:

➡️ the majority has already decided what the correct position is.

This is the classic bandwagon effect.

Goal

to influence undecided readers.

Effect

The reader may feel:

“If most people think this way, it must be true.”


4️⃣ Construction of a crisis narrative (crisis framing)

Excerpt

“They are leading all of Germany — and even all of Europe — toward the abyss.”

Technique

The communication uses dramatic language.

Key words:

  • “abyss”
  • “crisis”
  • “incompetence”

Goal

➡️ dramatize the political situation
➡️ suggest an urgent need for change.


5️⃣ Simplified cause-and-effect narrative (causal oversimplification)

Excerpt

“Banning nuclear energy and Russian energy is destroying the economy.”

Technique

A very complex economic issue is reduced to a single cause.

In reality, energy prices are influenced by many factors, including:

  • global oil prices
  • the LNG market
  • geopolitics
  • inflation
  • taxes
  • exchange rates

Goal

➡️ create a simple and easily understandable political narrative.


6️⃣ Construction of a national alternative (national path framing)

Excerpt

“This is why we must continue on the Hungarian path.”

Technique

The communication divides the world into two camps:

  • the “Hungarian path”
  • “Brussels diktats”

This is binary political framing.

Goal

➡️ turn political choice into a matter of identity.


7️⃣ Strengthening the appearance of authenticity (authenticity framing)

Excerpt

“I received the photo from a Hungarian man living in Germany.”

Technique

Mentioning a personal source suggests:

➡️ “real, spontaneous information.”

This is a common communication device in social media.


Factors omitted from the narrative (as you pointed out)

The text does not mention the global oil market, for example:

  • Middle Eastern conflicts
  • oil shipping routes
  • geopolitical tensions
  • OPEC policy
  • the dollar–oil relationship

From a communication perspective, this is known as:

agenda setting + omission

In other words:

➡️ what is left out is also part of the message.

When certain factors are not mentioned, readers are more likely to accept a simplified political explanation.


Summary

The text uses several classic political communication techniques:

  • selective framing
  • scapegoating
  • bandwagon effect
  • crisis narrative
  • simplified cause-and-effect reasoning
  • national alternative framing
  • authenticity signaling

The core mechanism of the communication:

➡️ turning a complex economic phenomenon into a simple political story.